Sunday Drop-In Workshop Policies and Notes ** Introduction ** Thank you for volunteering to help teach the Sunday Drop-In Workshops! This document is meant to give you some idea of how we're setup, and what we need you to do. It is continuously evolving, so, check back to see if there are changes. If you have any questions, please contact me, Jerry Han. My contact info is at the end of this document. Thanks! ** Drop-In Philosophy and Goals ** "These excellent workshops are taught by experienced improvisers who create a comfortable and supportive environment for those who wish to try their hand at improvisational comedy theatre." -- Quote from Staircase website. These workshops are intended to give individuals basic introduction to improvisational acting, and to help develop individual skill. These workshops are inclusive; people should only be turned away if they lack the maturity to work in groups. These workshops are instructive; people should leave each workshop having learned at least one new thing, or having developed more skill with a given concept. Finally, these workshops are supportive; people should be encouraged and supported, regardless of their skill and talent level. The goal of these workshops is to give individuals an introduction of improvisiational methods, to develop their self-confidence and acting abilities, and to prepare them for future workshop or stage performance. These drop-in workshops are also an excellent advertising opportunity for the theatre, to allow the general public to see and have an experience of what we do. Remember, when you teach, you are acting as an ambassador between the Staircase and the general public; act accordingly. ** Drop-In Workshop Organization ** Sunday Drop-In Workshops are co-ordinated by myself, and are run by a group of teacher/volunteers. These volunteers are experienced members of the Staircase improvisational acting community. Volunteers sign up for dates that they wish to teach a workshop on. Each volunteer runs the workshop using their own style, covering topics that they wish to cover. There is a sign up sheet located at the front counter of the theatre that has dates for the current four-month period. If you cannot make a date you have already signed up for, please let me know right away, and see if you can get one of the other teachers on the resource list to volunteer. My job as co-ordinator is to make sure that all workshops have teachers, to keep the quality of the workshops high, act as a resource to teacher volunteers, to act as a liasion between the Drop-in Workshop teachers and the rest of the theatre, and to integrate workshops into a common cirriculum. As co-ordinator, I answer to the Artistic Director of the Staircase, Hugh Macleod. I will try to meet with all the volunteers at least once every two months, to discuss concerns, address problems, and gather ideas for the next period of time. Attending these meetings is not compulsory, it's just a chance for me to me and greet with everybody. If you are brand new i.e. have never taught a Sunday workshop before, or haven't taught one in a long time, please speak to me before signing up for a date. Hugh and I will like to watch you teach a workshop before full approval is given to sign up for dates. ** Drop-In Workshop Structure ** Sunday Drop-In Workshops run for 2 hours on Sundays, between 4-6pm. Most workshops have a ten minute break sometime around 5pm. When starting a workshop, please introduce yourself, state briefly what this workshop is about, and tell people that they have to sign up and that the workshop is $2. Also, remind people where the bathrooms are. Workshops then usually proceed to several minutes of warm-up exercises, then to the 'meat' of the workshop. These ideas are under the control of the teacher. There is a break around 5pm, usually; be sure to remind people about the food in the cafe, and that they are welcome to bring food back into the theatre space (though, no alcohol.) Most workshops centre around a main theme, and exercises and instruction are meant to highlight this theme e.g. Character, Conflict, Environment, Scene Work, etc. This helps a teacher come up with ideas. Finally, after finishing the main portion of the workshop, a cool down exercise (usually freeze tag) is nice. At the end of the workshop, thank the participants for coming out, remind them of other events at the Staircase and that they can get calendars outside, and that they can leave feedback with you, myself, or Hugh. Note, that due to legal restrictions, we are unable to admit people under 14 years of age into Drop-In Workshops as partcipants. If there are problems with this, please refer them to me. ** Teacher Suggestions ** -- Remember that these are beginners; set your expectations and your difficulty levels accordingly. Also, don't be afraid to give split-level notes. Many experienced improvisers attend drop-in workshops to exercise themselves; give notes according to their level of ability. Try to avoid the trap of focusing on one person to the detriment of the rest of the class; if you need to give further instruction, take the person aside at the break or at the end of the workshop. Keep the difficulty level in mind -- many beginners are there just to 'have fun', but there are also those who are looking for instruction. This is one of the greatest challengs a teacher faces at a drop-in workshop. -- We try to stick to certain common elements, in order to minimize confusion among workshopers. http://www.learnimprov.com is our baseline resource for handles. Our general goal, however is to develop basic stage confidence and basic scene technique. -- Experience has shown that most workshopers like doing handles, but the handle interferes with the quality of the improvisational acting (as workshop participants concentrate more on the handle as opposed to the basics of improv.) Make sure the basics are well covered before doing handle work. Use handles as a reward. -- Fairly often, you will get groups of experienced and inexperienced improvers. Don't be afraid to rely on the experienced people to help you demonstrate things. -- Sometimes the number of people attending a workshop will be too large for one person to handle. Most teacher volunteers also attend drop-in workshops; don't be afraid to split the class. (Use your best judgement as to when a class is to unwieldy for one person. As a guideline, anywhere from 12-16 is fairly large.) -- Don't be afraid to try new things, and make mistakes; if it doesn't work out, do something different next time. That being said, remember that the participants are number one -- anything that doesn't benefit them is probably a bad idea. -- Sometimes you'll get individuals who have taken other training courses (e.g. Second City), but wish to get involved at the Staircase. Have them talk to me after the drop-in class; we'll get them involved in prep school as soon as we can. -- If you're attending a workshop as a student, don't interfere in the workshop being offered by the teacher. If you have notes, or a suggestion, talk to the teacher privately, after the workshop. While on stage, the teacher should have full support from everybody in the class, especially from other recognized teachers in the group. -- Remember that everybody's comfort level concerning physicality and certain types of content is different. While 'accidental mature content' can occur, try to keep your workshop within the bounds of a 'G' rated show. By playing to the lowest common denominator, you can keep all your students involved and having fun. -- If you're having problems with a student, or with an audience member, try to talk things over with them outside of class. If all else fails, refer them to me. Teachers are supposed to teach -- it's the co-ordinator's role to deal with issues concerning workshoppers. -- If you feel that a student may be ready for Prep School (the next step up), let me know, and we'll talk about it. At the start of every cycle, we'll add the next set of 'graduating' students to the Prep School level. The decision to add people to Prep School comes from the Artistic Director or the Co-ordinator, with the advice and input of the teachers. Please don't mention anything to the student until we have a definitive answer -- this is to preserve the student's confidence level. ** Resources for Student Development ** Students who wish to learn more about improv can be directed to: http://www.learnimprov.com. They should also be invited to come out to see the experienced group at Charm School/Theatresports, to get them to start entering in the groupthink that drives most Staircase Improv. There are also available various workshops belonging to the STEP program at the Staircase, or from outside workshop leaders; don't be afraid to find out what's available and to make recommendations to your students. ** Resources for Teacher Development ** Ideas for games and such can be found at http://www.learnimprov.com The Staircase, unfortunately, has no formal development program for teachers at this time. However, there are experienced workshop leaders who are able to answer concerns and offer advice over various situations. Don't be afraid to ask questions. As well, don't be afraid to trade tips and ideas between sessions among teachers, or during our meetings. The only stupid questions are the questions that are unasked. Hugh McLeod will also be sitting in on some workshops, and will be offering suggestions and observations. ** Final Thoughts ** Teaching provides a particular set of challenges, but also its own set of rewards. If you have any questions, or problems, please talk to me, Jerry Han. If you feel unable to approach me, you may talk to Hugh Macleod, or Laura Couchie, the Player Rep. And, remember, this is supposed to be fun. If you aren't having fun, then why are you doing this to yourself? If this applies to you, please, let me know -- we may be able to do something. Thank you again for volunteering your time and effort, and I hope to see you around on Sundays. Jerry Han jhan@warpfish.com (905) 528 2773 Version: September 22nd, 2003